Saturday, March 23, 2019
Comparing Kafkas Metamorphosis and The Stranger (The Outsider) :: comparison compare contrast essays
The Metamorphosis and The Stranger (The Outsider)  Existentialism is defined as a  philosophic movement that human beings are all in all free and responsible for their  deliver actions. Existentialists will try not to cause waves and remain completely  free with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would  book to be so uninvolved to the point where he would not be  commensurate to live at all. Although the two stories The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.   The biggest difference between the two characters Gregor and Mersault is their  somatic form. One has changed  bodilyly into a giant insect while the  different remains a normal human being. Another difference is the  fact between the characters and their mothers. Gregor wants to have a relationship with his mother    but cannot because of his physical form. Mersaults mother is alive and well for part of the novel, but he does not want to take care of her or have anything to do with her. The two characters are similar in the way that they do not believe in God and will both die  lonesome(a) and abandoned.  Kafka creates a very lonely and abandoned world for Gregor Samsa in his  oblivious novel Metamorphosis. Gregor is an existentialist character who mutates into a giant bug without  sympathy and no longer has any control over his life. He becomes completely uninvolved in the way that he does not  dialogue or have any interaction with anyone inside or outside of the family. He is dehumanized. Gregors mother is disgusted by the looks of him and refuses to see or talk to him. Gregor is now lonely and abandoned by his family, does not eat and  at long last dies.    In the short novel The Stranger, Mersault is also an existentialistic character. He does not  proclivity to become involved with anyone,    including God and his own mother and does not have any emotion what so-ever when she dies. Although Mersault does not want to become involved with anyone, he also does not want to create waves, thus he cannot  second but to say yes to a friend when he asks him for help.  
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